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William Susman

About
Bio
Sound
Links
Works
Opera
Orchestra
Pierrot Ensemble
Chamber Ensemble
String Quartet
Brass Quintet
Wind Quintet
Vocal and Choral
Marimba
Percussion
Flute
Saxophone
Solo and Duo
Piano
Improvisation
Arrangements
News
2025
2024
2023
2022
2021
2020
2019
2018
2017
Recordings
Schedule
Acclaim
Contact
William_Susman_SF_CA_by_Rick_Chapman_0919_1005.jpg

  • Works
  • Opera
  • Orchestra
  • Pierrot Ensemble
  • Chamber Ensemble
  • String Quartet
  • Brass Quintet
  • Wind Quintet
  • Vocal and Choral
  • Marimba
  • Percussion
  • Flute
  • Saxophone
  • Solo and Duo
  • Piano
  • Improvisation
  • Arrangements
Featured
Haskalah (2017)

Commissioned by the University of Michigan Music Department and Joseph Gramley for the duo Organized Rhythm: Joseph Gramley, marimba and Clive Driskill-Smith, organ. 

There are three sections in this piece that merge into each other. They are titled, “an ethereal bright light”, “converge and accelerate”, and, “gliding to infinity”. 

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Material Rhythms (2010)

A percussion quartet in four movements. The first three movements use a different material of indefinite pitch: I. Wood, II. Metal, III. Skin. And, in movement IV. Mix, a combination of all three. 

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Quiet Rhythms No. 9 for Accordion, Marimba and Piano (2010)
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Quiet Rhythms No. 9 for Accordion and Marimba (2010)
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Quiet Rhythms No. 9 for marimba and piano (2010)

arr. for marimba and piano

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Amores Montuños (2008)

Commissioned by Patricia and Greg Zuber. Premiered at the Malletech Leigh Howard Stevens Summer Marimba Seminar. The excerpt here is live from the New York Chamber Music Festival, September 12, 2010 at Symphony Space, NYC.

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Marimba Montuño (2002)

Dedicated to multi-percussionist Joseph Gramley, who has performed this work frequently in concert and at master classes throughout the US. Recorded on Joseph Gramley's CD Global Percussion. 

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Three Different Keyboards (2001)

Accordion, marimba, and piano all use keyboards but their sound and the way in which they are produced are vastly different.

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Exposé (1989)

The first performance used 2 xylophones in place of the violins creating a mallet percussion ensemble piece with piano. 

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Floating Falling (1987)

Commissioned by André Emelianoff

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